*Vroiam sa pun si tag-ul "A dracu curva" dar nu m-a lasat tata Blogger pentru ca nu e voie cu acest gen de cuvinte obraznice pe blog (numai in taguri nu e voie, ca in body poti scrie linistit "sugi nea Blogger Google" ca nu te cenzureaza nimeni)
Pentru ca sambata am stat toata ziua in pat si m-am uitat la filme mi-am asigurat cateva posturi. Si pentru ca am avut chef de filme deprimante si cu final sfasietor pot impartasi impresii legate de “Breaking the waves”(foarte bun, il pastrez pentru mai incolo fiindca nu mi-am revenit dupa impact) , “Birth” (l-am vazut a doua oara pentru ca l-am descarcat din greseala si nu aveam altul) si “Raise the red lantern”.
Ultimul film “Raise the red lantern” este japonez (ok, e de fapt o chinezarie dar pt mine e tot una) si tot filmul bate apa in piua pe o singura idee: “femeile sunt niste curve”. Este vorba despre patru femei care se bat pe un masaj si pe o lumina rosie. Exista si un barbat pe acolo, dar el este o cantitate neglijabila in acest film.
Mai detaliat: un barbat avea patru neveste in patru case si obiceiul din mosi stramosi spunea ca in fiecare dimineata el trebuie sa aleaga femeia la care se aprind felinarele in casa. Norocoasa femeie la care se aprind felinarele se capatuieste cu un masaj si cu o noapte cu barbatul galbejit. Dar asta nu-i tot. In urmatoarea zi femeia felinarata poate comanda ce vrea la micul dejun si este ascultata de toate slugile de prin casa. Cu cat se aprinde lumina mai des in casa ei cu atat castiga mai multa putere in familie. Eh si de aici un intreg razboi intre ele pentru atentia barbatului. Galbejitul de fapt nu prezinta nici un interes pentru ele, felinarul fiind scopul principal si final al tuturor actiunilor lor. Pana la urma “A doua doamna” sfarseste spanzurata iar “A patra doamna” innebuneste. Morala: lumina artificiala nu face bine la sanatate.
Filmul nu te tine deloc in suspans si nici nu creaza tensiune pe parcursul actiunii. Scenaristul nu resuseste sa contureze un personaj puternic si nici nu transmite o stare puternica si atunci implicit nu poti empatiza cu nici unul dintre personaje. Regizorul este totusi de laudat pentru ca incearca sa creeze o atmosfera tensionata, deprimanta si apasatoare, iar imaginile se succed intr-un ritm lent si pastreaza o ambiguitate.
Per total e interesant de vizionat pentru traditiile si obiceiurile japoneze (adica chinezariile). Cu filmul asta iti testezi calitatea de a accepta si a intelege cultura altor civilizatii. Sincer mi s-a parut destul de deplasata faza cu felinarele si cu spanzurarea femeilor adultere dar in acelasi timp nu m-a oripilat deloc. Urmeaza sa ma uit la un film cu arabi care isi cheama toata familia sa isi omoare cu pietre sora sau nevasta pacatoasa si la sfarsit voi exclama “bine i-a facut. a dreacu curva!”
miercuri, 12 septembrie 2007
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11 comentarii:
nu stiam ca si chinejii sunt bigami...dar daca stam sa ne gandim, it makes sense, nu poti sa risti sa dezamagesti tot timpul o femeie - chinezii, precum se stie, nu sunt de speriat la capitolul romance, ca sa fiu light si sa nu se ia nea blogger de mine - asa ca isi iau mai multe di fac si sistemul asta de awarding ca sa le faca sa stea cu ei. ai dracu chineji
poligami voiam sa zic :))))
nu stiu ce spui tu, nasha, i've always dreamt of dating a chinese/japanese/korean guy. dupa jude law, asta era a doua optiune. din nefericire, nu am avut ocazia sa-mi implinesc pana acum acest vis, dar inca mai sper. daca nasha a reusit cu negrul si corinela cu arabul, cat de greu poate sa fie???
mah parca am stabilit sa nu mai raspandesti acest zvon cu negrul, nu este adevarat. am fost doar amici, da?
corina asa face si romanu baga sub nasul femeii incentives din astea: o cola, o fustita, un inelus, o eugenie sau pt cele mai fericite dintre noi o masina. crezi ca doar arabii aia ai tai practica din astea? tin sa mentionez ca eu de la negru nu m-am ales cu nimic....
mai precis, cu un nimic foarte mare :)))))
Ia uite aici, filmul e intre acele "Ten Movies Every Photographer Should See" :)
"Raise the Red Lantern (1991) - Like The Last Emperor reviewed above, Raise the Red Lantern provides insight into China's not-so-distant history. The difference is that The Last Emperor was directed by an outsider, Italian Bernardo Bertolucci, with the cooperation and approval of the Chinese government, while Raise the Red Lantern was directed by Zhang Yimou and never sanctioned by the Chinese Government. Implicit in its story is a couched allegory about obsolete old men and the harmful traditions governing China and it is a condemnation of the feudal attitudes that still linger today. It's no surprise that the film was financed by a Taiwanese distributor through a Hong Kong subsidiary.
What the two films, The Last Emperor and Raise the Red Lantern, have in common is the eye-popping use of colour. When I first saw Raise the Red Lantern, it was the first Chinese movie that impressed me with its astonishing beauty. The plot, which focuses on the experiences of a reluctant young concubine in the house of a nobleman in the China of the 1920s, is a grim account of sexual or gender politics. As the fourth wife, Songlian, the main character, must figure out how to get along with the imperious master and husband and survive prickly relationships with his other wives. Tensions are often thin as rice paper as the hazards of polygamy are charted.
While the tale is psychologically grim, the vividness of the many colours used in the film is stunning and heightens the emotional content of the story. The most potent colour is red because wherever the master chooses to spend the night is ritualistically lit up with opulent red lanterns (hence the title). The film was shot in the classic three-strip Technicolor process which allows a richness of reds and yellow that are no longer seen in American films. The vivid colours give the movie a sensuous, vibrant quality, particularly in the use of fabrics.
I like the film because, like The Last Emperor, it is a riveting movie made better by the abundant but careful use of colour. Until this film, I always avoided brilliant reds in my work because they seemed, well, coarse and over the top. Raise the Red Lantern changed my mind and influenced my willingness to occasionally search out or use more potent colours for maximum effect. With Photoshop and digital photography, we have the option more than ever to enhance colours where the enhancements enhance the image."
mda e un film de imagine bun, dar nu se compara cu "Baraka" sau "Fur".
testor, postul tau dureaza cat filmul.
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